Thursday 8 August 2013

2. Sambhava Khandam - Lord Shiva as Dhakshinamoorthy

                                                                Dhakshinamoorthy

SAMBHAVA KHANDAM

LORD SHIVA AS DHAKSHINAMOORTHY

   During the time when Parvathi was growing up, Lord Shiva had taken the form of Dhakshinamoorthy.
   Dakshinamurthy or Jnana Dakshinamurti  is an aspect of Shiva as a guru (teacher) of all types of knowledge and bestower of jnana. This aspect of Shiva is his personification as the supreme or the ultimate awareness, understanding and knowledge.This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom, and giving exposition on the shastras. He is worshipped as the god of wisdom, complete and rewarding meditation.
   Dakshinamurti literally means 'one who is facing south (dakṣiṇa)' in Sanskrit. South is the direction of Death, hence change. In every Siva temple the stone image of Dakshinamurthy is installed, facing south, on the southern circumambulatory path around the sanctum sanctorum. Perhaps, of all Hindu Gods, he is the only one sitting facing south. The great seer Ramana Maharshi, has said in letter 89: one meaning of Dakshina is efficient; another meaning is ‘in the heart on the right side of the body’; Amurthy ’means Formlessness' . "Dakshinamurthy Stotra" in Sanskrit, means the "Shapelessness situated on the right side".
   This iconographic form for depicting Shiva in Indian art is mostly south Indian in character.
In his aspect as Jnana Dakshinamurti, Shiva is generally shown with four arms. He is depicted seated under a banyan tree, facing the south. Shiva is seated upon a deer-throne and surrounded by sages who are receiving his instruction. He is shown as seated with his right foot on mythical apasmara (a demon which, according to Hindu mythology, is the personification of ignorance) and his left foot lies folded on his lap.


 Sometimes even the wild animals, are depicted to surround Shiva. In his upper arms, he holds a snake or rosary or both in one hand and a flame in the other; while in his lower right hand is shown in vyakhyanamudra, his lower left hand holds a bundle of kusha grass or the scriptures. The index finger of His right hand is bent and touching the tip of his thumb. The other three fingers are stretched apart. This symbolic hand gesture or Mudra is the Gnana Mudra (or Jnana Mudra or Jana Mudra), a symbol of knowledge and wisdom. Sometimes, this hand is in the Abhaya Mudra, a posture of assurance and blessing. In Melakadambur the Dakshinamurthy looks seated on a bull under a banyan tree,a hole in this statue's ear that extends to the next ear was an wonderful sculpturing.
Dakshinamurthy is portrayed as being in the yogic state of abstract meditation - and as a powerful form brimming with ever flowing bliss and supreme joy. Variations of this iconic representation include Veenadhara Dakshinamurthy (holding a Veena), Rishabharooda Dakshinamurthy (mounted on a Rishabha - the bull) etc. Maharshi Kardamshankara Jnanadeva, a mystic seer says that Dakshinamurthy means the abstract or hidden power of the absolute which expressed in all enlightened masters.
  Indian tradition accords a special reverence to the Guru or the teacher. Dakshinamurthy, in the Hindu system of beliefs is regarded as the ultimate Guru - the embodiment of knowledge and the destroyer of ignorance (as represented by the demon being crushed under the feet of the deity). The Jnana Mudra is interpreted in this way:- The thumb denotes the God and the index finger denotes the man. The other three fingers stand for the three congenital impurities of man viz. arrogance, illusion and bad deeds of the past births. When man detaches himself from these impurities, he reaches God. Another interpretation is that the other three fingers denote the three states of life: Jagruti (Fully awake through senses and mind), Swapna (Sleep state - When the mind is awake) and Sushukti (Tru-self - When the senses and mind go into soul - Atma). The Abhaya Mudra, a gesture with the hand lifted above thigh with palm facing out, fingers pointing, is interpreted as His grace upon His students. The rosary or the snake signifies Tantric knowledge. The fire represents illumination, removing the darkness of ignorance.
    The fifth day of the week, Thursday is associated with the planet Jupiter and is referred to as Guru (Guruvar or Guruvaaram). Thursdays are considered auspicious to start any educational endeavours. It is on Thursdays that special worship services are offered to Dakshinamurthy in many Saivite temples. Some temple traditions hold full moon nights, particularly the night of the Guru Purnima as the appropriate time for worship services to Dakshinamurthy.
Even though the idol of Dakshinamurthy is installed in every Shiva temple, there are only a few temples where Dakshinamurthy is the chief deity.
  • Only one of the twelve Jyotirlingas is Dakshinmurthy, the Mahakaleshwar in Ujjain. Being the only Dakshinmurthy Jyotirlinga, It holds special importance for Shaivites as a site of learning.
  • Ettumanoor Mahadevar Temple in Kerala, where the deity enshrined in the form of a Shivalingam is considered as Dakshinamurthy
  • Alangudi , Kumbakonam, Tamil Nadu
  • In the Sivanandeswarar temple in Thirupanthurai, Tanjore, Tamil Nadu, He is depicted in the Ardhanari form.
  • In Thirupulivanam, we can find Dakshinamurthy in the form of Ardhanariswara. This temple is on the Uthiramerur-Kanchipuram road, 5 km from Uthiramerur, near Chennai.
  • In March 2007, a big temple of Lord Dakshinamurty (the first in Maharashtra) was created in the Shrutisagar Ashram, about 30 km fromPune
  • Pragya Dakshinamoorthy at Chibavananda Ashram in Theni, western Tamil Nadu
  • Dakshinamurthy at Sukapuram, Edapal Taluk in Malappuram District , Kerala
  • In Suchindram Thanumalaya temple (5km from Nagercoil, Kanyakumari Dist.), contrary to tradition, Dakshinamurthy is worshipped instead of Ganesh/Vinayaka. Ganesha statue comes last in the worship line.
  • In Thiruvotriyur,Chennai a dedicated temple to Dhakshinamoorthy exists. It's unique as the Lord faces North and is aptly called VadaGurusthalam (the guru's place of north).
The oldest dakshinamurty temple is situated in 'poonthottam village' in Thiruvarur, Tamilnadu. It's estimated that this temple is nearly 1000 years old and the idol of the lord was fixed on the day of mahakumbamela that that took place 1000 years ago

The god of creation Brahma asked his sons sanadhar and sanandhanar to carry out his duties of creation. But they refused to fulfill their fathers commands.



The Kumaras are four sages (rishis) who roam the universe as children from the Puranic texts of Hinduism, generally named Sanaka, Sanatana, Sanandana and Sanatkumara. They are described as the first mind-born creations and sons of the creator-godBrahma. Brahma, who had received the knowledge of the Puranas from the Universal Being (god Himself) Narayana, imbibed this to his Four Kumaras (Sanat Kumaras). Sanat Kumaras then taught the Puranas to Narada. Narada transmitted it to Krishna Dwaipayanawho in turn scripted them in monumental epic documents of 18 Puranas. The Vishnu Purana is recorded in two parts, the Vishnu Purana and Naradiya Purana. The teachings of Sankaka of the Kumara brothers are contained in the Naradiya Purana which is also divivided in two parts, the first part containing the teachings of Sanaka and others
Born from Brahma's mind, the four Kumaras undertook lifelong vows of celibacy (brahmacharya) against the wishes of their father. They are said to wander throughout the materialistic and spiritualistic universe without any desire but with purpose to teach. All four brothers are studied Vedas from their childhood, and always travelled together.
The Bhagavata Purana lists the Kumaras among the twelve Mahajanas (great devotees or bhaktas) who although being eternallyliberated souls from birth, still became attracted to the devotional service of Vishnu from their already enlightened state. It also mentions them as being an avatar of Vishnu. They play a significant role in a number of Hindu spiritual traditions, especially those associated with the worship of Vishnu and his avatar Krishna, sometimes even in traditions related to the god Shiva.
  The four Kumaras approached Shiva for self-realization. He taught them about the Supreme reality – Brahman by making chin mudra gesture with his hand. The index finger is touched to the thumb, indicating the union of Brahman and jiva. Thus, Shiva made the Kumaras as his disciples.
The Linga Purana describes that Shiva or his aspect Vamadeva will be born as a Kumara and then multiply into the four Kumaras in each kalpa (aeon) as sons of Brahma of that kalpa. In the 29th Kalpa, Swetha Lohita is the main Kumara; where they are named as Sananda, Nandana, Vishwananda and Upananadana of white colour; then in the 30th Kalpa, they are named as Virajas, Vivahu, Visoka and Vishwbhavana, all of red colour; and in the 31st Kalpa in yellow colour; and in the 32nd Kalpa, as of black colour.
The four sages Sanak,Sanandan,Sanatan,Sanat were learned Brahmins. They were the sons of Lord Brahma. They were very proud of their father, Brahma because he was the creator of the holy books, Vedas. They were aware of three Vedas,- Rigved,Yajurved, and Samveda and considered that the whole knowledge is complete in these three books.On the other hand Sage Atharva approached Lord Shiva to get approval of his knowledge which he gathered from the universe using his divine powers. Lord Shiva, impressed by his creation and blessed Sage Atharva that his book of knowledge would constitute the list of Vedas and will be called as ‘Atharvaveda’. When this news reached the sons of Lord Brahma, they protested as according to them the other three Vedas was a complete set of knowledge and there was no need of fourth Veda. They argued with Lord Shiva and challenged his authority to certify a fourth Veda. Finally it was decided that whether to certify a fourth Veda or not depends upon the result learned debate. Goddess Saraswati was appointed as judge. The four Sages fired too much and too complicated questions to Lord Shiva and they were very confident of their victory as they underestimated Lord Shiva. But Shiva, who is the Lord of all the supreme knowledge, answered each and every question. The Sages accept their defeat gracefully and ask for forgiveness. Since then Artharva Ved was added to the list of Vedas, making the total four. The Sages went to their brother Prajapati Daksha who was bitter rival of Lord Shiva. On listening about the defeat of his four brothers, he cursed them to be small children. After that the four sages turned into small children. Since the sages were very learned, they thanked their brother for the curse because after becoming children their urge for learning would be greater.
  The sons of Brahma said to him that they wanted to go to Lord Shiva and gain knowledge. They went to Lord Shiva and expressed their desire to gain all the vedic knowledge from him. The lord sat under the shadow of a banyan tree and started teaching all the vedic secrets and philosophy to the four sons of Brahma, Sanakar, Sanandhanar, Sanadhanar and Sanathkumarar. The lord cleared all their doubts. They prayed to the lord with greatfulness.
  
   

2 comments:

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  2. https://www.amazon.in/dp/B08GYRM15S/ref=sr_1_1?dchild=1&keywords=kantha+puranam&qid=1598668864&s=digital-text&sr=1-1 நண்பர்களே *(கந்தபுராணம்)கந்தன்கதை கிண்டில் பதிப்பாக * வண்ணப்படங்கள் இணைக்கப்பட்டு வெளிவந்துள்ளது. கந்தன்விருந்து மற்றும் தாரகன்,பானுகோபன், சிங்கமுகன்,சூரபன்மன் ஆகியோரின் போர்க்களக் காட்சிகள் இதுவரை இல்லாத அருமையான டிஜிட்டல் வண்ணப்படமாக இணைக்கப்பட்டு இந்நூல் வெளியிடப்பட்டுள்ளது. கந்தபுராணத்திற்கும் ஒவ்வொரு மனிதனின் வாழ்விற்கும் நீங்காத தொடர்பு இருக்கின்றது என்பதை உணர்த்த வல்ல இந்தக் கதையை நீங்களும் படித்து மற்றவர்களுடன் பகிர்ந்துகொண்டு புண்ணிய பலன்களைப் பெறுவீர்களாக. வாசித்தவர்கள் தங்கள் கருத்துக்களை கிண்டில் வலைத்தளத்தில் பதிவுசெய்து செல்லுமாறு அன்புடன் கேட்டுக்கொள்கின்றேன். நன்றி – எழுத்தாளர் இரவிக்குமார்

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